Sculpture 1
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MgA. DOBEŠOVÁ, Marie 2025 Sculpture 1 -
MgA. JURÁČEK, Mikuláš 2025 Sculpture 1 -
MgA. MOLATOVÁ, Darina 2025 Sculpture 1 -
MgA. VYSOKIKH, Ruslan 2025 Sculpture 1 -
MgA. FRIND, Marek 2024 Sculpture 1 -
MgA. ADAMEC, Patrik 2023 Sculpture 1 -
MgA. SVOBODOVÁ, Sára 2023 Sculpture 1 -
MgA. TENORA, Adam 2023 Sculpture 1 -
MgA. SMĚTÁK, Radek 2022 Sculpture 1 -
MgA. FILIPOVÁ, Aneta 2020 Sculpture 1 -
MgA. MRŠTINA, Radek 2020 Sculpture 1 -
MgA. ŠEMBERA, Michal 2020 Sculpture 1 -
MgA. JAROŠINCOVÁ, Marie 2019 Sculpture 1 -
MgA. MALÝ, Martin 2019 Sculpture 1 -
MgA. PÁLENÍKOVÁ, Linda 2019 Sculpture 1 -
MgA. RYŠAVÁ, Nikola Emma 2019 Sculpture 1 -
MgA. VIDEMANOVÁ, Marie 2019 Sculpture 1 -
MgA. WRONG, Linda 2019 Sculpture 1 -
MgA. BARTONÍČKOVÁ, Dana 2018 Sculpture 1 -
MgA. KAMINSKÁ, Miriam 2018 Sculpture 1 -
MgA. KOLOUCHOVÁ, Barbora 2018 Sculpture 1 -
MgA. KRAUSOVÁ, Simona 2014 Sculpture 1
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MgA. BŘEZNOVÁ, Sylva 2013 Sculpture 1
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MgA. KRNINSKÁ, Barbora 2013 Sculpture 1
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MgA. JONÁŠOVÁ, Josefína 2012 Sculpture 1
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MgA. ANGELI, Raissa 2011 Sculpture 1
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MgA. SENEŠI, Richard 2011 Sculpture 1
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MgA. HÁJEK, Matěj 2010 Sculpture 1
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MgA. OLIVA, Ondřej 2010 Sculpture 1
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MgA. PALÚCH, Róbert 2010 Sculpture 1
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Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
1:20 model for installation Toadstool Mycelium, 2025, papier-mâché, metal, string, built-in speakers for soundtrack, 12 × 20 × 30 cm -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
TOUCH, 2025 -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
0.51, 2025, paper, flour, salt, 12 × 14 × 11 cm -
10.09, 2024, plaster, 8 × 5 × 6 cm -
5.23 -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Installation view, 2025, photo by Radek Dětinský, AVU -
Pilgrim through Time and Space, 2024, metal, plaster, wood, plywood, 370 × 130 cm -
Císař, 2024, photo by Michal Czanderle -
Císař, 2024, photo by Michal Czanderle -
Sou City, 2024 -
Installation view -
Installation view -
Installation view -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Crypted Sky, 2024, screenshot -
Detail objektu Bez názvu (Myšlenkové vředy), 2023 -
Fotografie z ateliéru, 2023, prostorové skici -
Models and workflow -
Models and workflow -
Models and workflow -
Models and workflow -
Models on the subject of spirituality, 2022 -
Model, 2023, laths, 43 × 46 × 83 cm -
My Not Sanctuary, 2022, socha, ocel, duté vlákno, vosk, 300 × 300 × 300 cm -
Home of Shrine, 2022, dřevo, ocel, duté vlákno, vosk, 300 × 150 × 150 cm -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
Metropolis, 2020, metal, casting resin -
Metropolis, 2020, metal, casting resin -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
The New Myth of Goddess Taweret, wood, plaster, paper, metal, variable dimensions -
The New Myth of Goddess Taweret, wood, plaster, paper, metal, variable dimensions -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
photo by Radek Dětinský, AVU -
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Suchá jehla, 2016, suchá jehla -
Suchá jehla, 2016, suchá jehla -
Suchá jehla, 2016, suchá jehla -
Malba, kresba, 2016, malba, kresba -
Suchá jehla, 2016, suchá jehla -
Zápas sumo, 2018, probarvený beton -
Zápas ve volném stylu, 2017, probarvený beton -
Homo Ludens, 2019, probarvený beton, 183 × 71 × 82 cm -
Homo Ludens, 2019, probarvený beton -
Zápas sumo, 2018, probarvený beton -
Red Cape, 2019, pryskyřice, textil, laminát, 120 × 80 × 70 cm -
Red & Grey Cape, 2019, pryskyřice, textil, laminát, 120 x 80 x 70 cm, 210 x 75 x 82 cm -
Mermaid, 2018, beton, kov, 179 × 67 × 83 cm -
Dialogue (b), 2019, pryskyřice, laminát, textil, dřevo, 119 × 80 × 150 cm -
Dialogue (a), 2019, beton, kov, dřevo -
Sleeping beauty, 2019, beton, polyuretan, epoxid -
Love Is Blindness, 2017, beton, kov -
Kiddos, 2016, různé techniky -
Deformation, 2015, guma, kůže, kov, 167 × 60 × 80 cm -
Boo(s), 2017 -
Petr (Lampa), 2019, Modelace podle živého modelu. Zpracování: umělý mramor, 270 × 80 × 60 cm -
Michaela (Lustr), 2019, Odlitek modelu, příprava na masivní sádrovou formu, výsledný skleněný odlitek, 80 × 35 × 30 cm -
Michaela (Lustr), 2019, sádrová forma, výsledný skleněný odlitek -
Petr (Lampa), 2019, Umělý mramor / Pigmentovaný bílý cement s mramorovou moučkou -
Michaela (Lustr), 2019, Sklo -
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Dušan, 2019, beton, 120 cm -
Divine, 2019, beton, cca 35 cm -
Dušička, 2019, kombinovaná technika, cca 35 cm -
Ayam Bangkok, 2018, laminát, 45 cm -
Me & myself - rozpracováno, 2019, sklolaminát a beton, životní velikost -
Snake - rozpracováno, 2019, laminát, 3,5 m -
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My Brain, My Battle Field -
My Brain, My Battle Field -
My Brain, My Battle Field -
My Brain, My Battle Field -
My Brain, My Battle Field -
Attention People -
Attention People -
Brian Candy Word -
Everyone is Happy and in a Good Mood Now -
Everyone is Happy and in a Good Mood Now -
Go After This, Not After That -
Go After This, Not After That -
I Always Look Beneath the Queen’s feet -
I Always Look Beneath the Queen’s feet -
Looking Back, I Turn To Stone -
Looking Back, I Turn To Stone -
What I Don’t See Doesn’t Exist -
Yesterday It Was Not Enough, Today It’s Too Much -
Yesterday It Was Not Enough, Today It’s Too Much -
Yesterday It Was Not Enough, Today It’s Too Much -
Love me tender, 2018, kombinovaná technika, 26 cm -
Love me tender, 2018, kombinovaná technika, 24 cm -
Love me tender, 2018, kombinovaná technika, 20 cm -
Love me tender, 2018, kombinovaná technika, 22 cm -
Klenba II, 2018, cín, 32 × 25 cm -
Koruna, 2017, cedrové dřevo, 28 × 28 cm -
šlahouny, 2017, wood, wax, 60 × 45 cm -
Struktura III, 2017, fólie, 7 × 20 cm -
Fragment, 2017, glass, 25 × 23 cm -
Struktura VI, 2016, wire, 19 × 6 cm -
Struktura II, 2017, wax, wood, wire, plastic -
Struktura I, 2017, wax, wire, plastic -
Písek, 2017, glass -
Klenba, 2017, pink marble, 26 × 24 cm -
Liány I, 2017, tuž na papíře, 20 × 20 cm -
Liány II, 2017, tuž na papíře, 20 × 20 cm -
Pletivo I, 2017, tuž na papíře, 20 × 20 cm -
Pletivo II, 2017, tuž na papíře, 20 × 20 cm -
Liány III, 2017, tuž na papíře, 20 × 20 cm -
Struktura V, 2016, vosk, dřevo, drát, 10 × 28 cm -
Struktura IV, 2017, vosk, drát, 15 × 20 cm -
Stůl, 2014, javorové dřevo, pedig, 300 × 200 cm -
Vyrůstání, 2016, kombinovaná technika, 300 × 120 cm
