Skip to content Theses AVU
Years Studios Topics
  • Events
cs

Search

2020

  • 2026
  • 2025
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009

Restoration of Painting

  • Architecture
  • Art in Context
  • Printmaking 1
  • Printmaking 2
  • Intermedia 1
  • Intermedia 2
  • Intermedia 3
  • Drawing
  • Painting 1
  • Painting 2
  • Painting 3
  • Painting 4
  • New Media 1
  • New Media 2
  • Restoration of Painting
  • Restoration of Sculpture
  • Sculpture 1
  • Sculpture 2
  • Figural Sculpture
  • Intermédia
  • Kresba / grafika
  • Malířství
  • Sochařství

  • architecture
  • atmosphere
  • Bohnice
  • housing
  • journey
  • time
  • gas station
  • workshops
  • home
  • ecofeminism
  • figure
  • fiction
  • printmaking
  • game
  • music
  • identity
  • installation
  • interactivity
  • interpretation
  • landscape
  • drawing
  • painting
  • mythology
  • object
  • imprint
  • Pankrác
  • performance
  • fairy tale
  • movement
  • portrait
  • Praha
  • work
  • process
  • space
  • nature
  • reconstruction
  • restaurování
  • reuse
  • ritual
  • family
  • housing estate
  • sculpture
  • collaboration
  • dance
  • trauma
  • sustainability
  • urbanism
  • public space
  • video
  • perception
  • garden

MgA.
Ondrej ŽEGORJAK
2020

  • Black Man from the altarpiece of St Ignatius of Loyola, Kutná Hora
  • Sermon, Regionální muzeum Teplice
←
→

MgA.
Ondrej ŽEGORJAK
2020

Studies

2015–2017 Restoration of Painting, AVU
2017–2020 Restoration of Painting, AVU
2020 Defense of MgA., AVU
Main topic
Theoretical of dissertation : Use acrylate resins for impregnation polychrome sculptures
Annotation

In 2019 and 2020, Ondřej Žegorjak attended one-week workshops headed by two Italian restorers – Professor Paolo Cremonesi and Associate Professor Luigi Orata. They helped him deepen his knowledge, especially as concerns chemical solvents and the consolidation of canvas supports. In the diploma year, he followed in with this by studying the measurement of the qualities of synthetic petrification bitumen and their application on wooden artifacts. He employed these experimental experiences in practice during the impregnation of a decorative wooden frame of the panel painting The Last Judgment by August Cordus, which he also restored. He also restored the Baroque painting Sermon from the Regional Museum in Teplice and the polychromed sculpture Black Man from Kutná Hora and researched murals in St Catherine Chapel at the Karlštejn Castle.

Studio
Restoration of Painting
Supervisor
POKORNÝ Adam, prof. MgA. Ph.D.
Oponent
Třeštík Jiří, ak. mal.
Thesis status
Thesis finished and defended successfully
Date of defence
16. 9. 2020

Files

  • pdf Thesis Ondrej Žegorjak diplomová práca 2020 (1).pdf (7.76 MB)
  • pdf Review by thesis supervisor HODNOCENÍ DIPLOMOVÉ PRÁCE Ondrej Žegorjak.pdf (159.42 KB)
  • pdf Review by thesis reviewer Oponentský posudek Ondreje Žegorjaka - ak. mal Třeštík.pdf (172.62 KB)
  • pdf Thesis appendix svetlonoš diplomka OŽ.pdf (21.86 MB)
  • pdf Thesis appendix posledny sud restauratorsky priebeh rest sprava.pdf (70.17 MB)
  • pdf Thesis appendix roudnická madona kopia final tlač.pdf (2.96 MB)
  • pdf Thesis appendix sv jeronym final tlač.pdf (699.54 KB)
  • pdf Thesis appendix tryptich final tlač.pdf (3.69 MB)

© 2023 The Academy of Fine Arts in Prague
U Akademie 4, 170 00, Prague 7
Contact