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MgA.
Jana SVOBODOVÁ
2024

  • Installation view
  • Installation view
  • Installation view
  • Drop, 2023, hand cut glass, photo Anna Pleslová
  • Detail of the icing process, 2024, leaded glass, photo Šimona Němečková
  • Process of finding structures, 2024, glass, paper, porcelain, photo Šimona Němečková
  • Detail of the icing process, 2024, glue, glass, Avu dryer, photo Šimona Němečková
  • The process of cracking glue on sheet glass, 2024, glue, glass, Avu dryer, photo Šimona Němečková
  • Table, 2023, plate glass, glue, paper, cut glass, photo Anna Pleslová
  • Tear, 2024, hand cut and iced leaded glass, photo Šimona Němečková
  • Tear, 2024, iced leaded glass, photo Šimona Němečková
  • Portrait, 2024, hand cut glass, photo Radek Dětinský
←
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MgA.
Jana SVOBODOVÁ
2024

Studies

2017 exchange at Academy of Fine Arts Rome, RUFA, Sculpture, Italy
2020 exchange at AVU, Studio of Visiting Artist (Paulina Ołowska)
2021 exchange at AVU, Studio of Visiting Artist (Anetta Mona Chisa)
2024–2018 Sculpture 2, AVU
2024–2022 UMPRUM, Glass, (Rony Plesl, Klára Horáčková)
2024 Defense of MgA., AVU
Main topic
Tale of a Tear
Annotation

Tale of a Tear has been conceived as an artistic research project involving subjective insight and an analytical approach. The artist’s objective was to find a universally familiar phenomenon that would be easily understood by the general public and by which one can make oneself understood. At the outset, she thus asked herself, “How to catch a drop of water?” Over the course of her exploration of the subject of the tear, she imprinted its emotion, its origin into a drop of water – thus making it a tear. Of the wide range of human emotions, few phenomena are as widely understood, used, and universal as tears, which transcend language barriers and differences between cultures and individuals. In the process of her artistic exploration, Svobodová focused on the role tears play in communication and sharing. Beyond simply depicting tears, she imbued them with a tangible presence and transformed them into objects of expression and contemplation. How can we understand and get at the essence of the source of our tears, meaning our emotions? This is the fundamental question that Tale of a Tear answers.

In this piece, the artist builds on her previous exploration of the inner landscapes that give rise to intimate artistic statements, which she usually processes through the long-term study of various materials. Since the beginning of her studies, her work has straddled the intermedial boundaries between painting, installation, and sculpture – media characterized by a mutual tension but that also resonate and communicate with each other. Svobodová encourages us to view various themes or issues from new angles and perspectives, through her lens. An eagerness to know the essence of things and materials forms an inherent part of her works, which are based on personal stories, everyday moments, or even scientific investigation – conveyed to us in her distinctive, sensitive manner.

Studio
Sculpture 2
Supervisor
HLAVINA Tomáš, doc. ak. mal. Ph.D.
Oponent
PLESL Rony, prof. ak. soch.
Consultant from the university
BUDDEUS Ondřej, Mgr. Ph.D.
Thesis status
Thesis finished and defended successfully
Date of defence
13. 6. 2024

Files

  • pdf Thesis Diplom2024_Svobodova.Jana_Soch2.pdf (15.05 MB)
  • pdf Review by thesis supervisor Hodnocení - Jana Svobodová.pdf (125.94 KB)
  • pdf Review by thesis reviewer Oponentura_svobodova.pdf (110.27 KB)
  • pdf Thesis appendix Priloha_Svobodova.Jana_Soch2.pdf (15.26 MB)

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U Akademie 4, 170 00, Prague 7
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