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MgA.
Tereza TOMANOVÁ
2024

  • Installation view
  • Installation view
  • Installation view
  • Angry Flower, 2024, natural pigments on canvas, photo Radek Dětinský, 200 × 140 cm
  • Rake I, 2024, glass-melted sculpture, wood, photo Vilém Smejkal
  • Rake II, 2024, glass-melted sculpture, wood, photo Vilém Smejkal
  • Rake III, 2024, glass-melted sculpture, wood, photo Vilém Smejkal
  • Rakes, 2024, glass-melted sculpture, wood, photo Vilém Smejkal
  • Raking Leaves, 2024, natural pigments on canvas, photo Radek Dětinský, 200 × 140 cm
  • From studio, photo Fabiana Mertová
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→

MgA.
Tereza TOMANOVÁ
2024

Studies

2010–2015 Mendel University, Brno, Garden and Landscape Architecture
2015 exchange at Corvinus University, Landscape Architecture, Budapest, Hungary
2017–2024 Painting 1, AVU
2019 Intermedia 2, AVU
2020 exchange at St. Cyril and St. Methodius University of Veliko Tarnovo, Painting and Sculpture, Bulgaria
2021 Painting 2, AVU
2022 exchange at HKU University of the Arts Utrecht, Fine Art, Netherlands
2023 exchange at UMPRUM, Glass (Rony Plesl, Klára Horáčková)
2024 Defense of MgA., AVU
Main topic
The Garden
Annotation

During her studies, Tereza Tomanová focused on the topic of gardens. Viewing the gardens through personal mythology, she was inspired to approach this subject on several universal levels. Tomanová’s art is characterized by the conscious use of a broad range of materials, including fruits and vegetables, which she places into various different contexts.

For her graduation work, she has focused on the relationship between people and gardens – how they are made and all the things a garden might be for people. In her series of paintings made using dyes made of red cabbage and inorganic compounds, she works with the principle of suppression and expansion. The piece is also a reflection on how plant communities behave in nature. At the same time it asks the question, „What meets with what“ – which is the central theme of the entire piece and thus encourages us to think about the idea of the garden. The variability, impermanence, and colorfulness of the dyes used form the basic starting points for the metamorphosis of the garden and the cyclical character of nature.

The installation works with a mysterious medieval courtyard, symbolism, plants, and a metaphorical reference to human existence. It questions the extent to which man is a creator of things. This idea led the artist to grasp the garden as an imaginary place where we find ourselves in the role of gardener. These questions are then loosely developed in the work’s performative part involving a rake.

Studio
Painting 1
Supervisor
ŠALANDA Robert, MgA.
Oponent
PTÁČEK Jiří, MgA.
Consultant from the university
POSPISZYL Tomáš, prof. Mgr. Ph.D.
Thesis status
Thesis finished and defended successfully
Date of defence
18. 6. 2024

Files

  • pdf Thesis Diplom2024_Tomanova.Tereza_MAL1.pdf (63.43 KB)
  • docx Review by thesis supervisor HODNOCENÍ DIPLOMOVÉ PRÁCE Tereza Tomanová.docx (23.79 KB)
  • docx Review by thesis reviewer 2024_AVU_Tomanova_oponentsky_posudek.docx (6.52 KB)
  • pdf Thesis appendix Priloha_Tomanova.Tereza_Mal1.pdf (13.36 MB)

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